The first Pete P song released in roughly three years, Translational Frames was a bit painful to write and record, due to both lack of time and motivation. Even though I currently hate it, at its core the tune was supposed to be cool—evolving from an idea on how to relate harmony to rhythm.
A few months back my good pal Travis Orbin asked if I would play bass on and mix/produce a song for him, which he composed a few years ago and actually showed me before he tracked the drums for "Bugz" and "Idiot Christmas" in 2009. I decided to take the gig since the song's absurdity and uniqueness doesn't end at its title, and it presented a formidable challenge—the bass. The part Travis wrote was quite difficult and took a long time to learn, rehearse, and record. In fact, there's one tiny part that was beyond me and had to be programmed (what a wimp, eh?), though the rest of the bass is a blend of programmed samples and real bass. Travis supplied the drums fully-mixed, which only took a little tweaking to fit with the rest of the instruments, making the mixing job quite a bit easier. All in all, it was a fun and worthwhile project and I hope to work on more of Travis' songs in the future. Check out his session video below and be sure to download the song from his bigcartel store.
Welcome to the new Pete Peterson site. Please bear with me as I set everything up!